
SINCE 1567

A MAYFAIR MORNING
Her Own Woman
She was never the most beautiful woman in the room.
Born into a family with more portraits than money and more history than sense, she understood early what was being asked of her. To be still. To be appropriate. To be the kind of woman that men of a certain standing required on their arm and nothing more. She listened to all of it very carefully, the way one listens to a language one has no intention of ever speaking, and then she went her own way entirely.
Kitty’s began in a bedroom in Mayfair on a grey February morning that London has long since forgotten. She had not slept. There was champagne that nobody had finished and a fire that somebody had. There was lace on the floor, real lace, the kind that takes a woman in Honiton three weeks to make by hand, and pearls on the bedside table, and outside the window the whole of England was going about its business completely unaware that something had just been decided.
She decided it the way she decided everything. No announcement. No proclamation. Simply the absolute and unshakeable certainty of a woman who has just understood something true about the world and intends to build her life around it.
This is Kitty’s...




Not Tame,
Not Wild,
Kitty...
— ANASTASIA ROMANOVA
A Marriage of Worlds
‘okay so, Kitty’s, to me? it’s literally an old aristocratic family marrying an American heiress. all that blood, all that history, and then this obscene amount of new money and want, and it’s just... I can’t. it’s the most attractive thing I’ve ever heard in my life. and I mean that. sorry. it is.’





— LUCIUS CZERLAU
An Intimate House
‘they say an artist’s best work comes from a love he couldn’t keep. and I’ve always found that... well, that’s Kitty’s, isn’t it. a hundred years of making the world fall for something they had to let go of. I bought it before I could explain why. still can’t, quite. it does something to me, this house. it always has.’